Showing posts with label buttons. Show all posts
Showing posts with label buttons. Show all posts

Sunday, October 17, 2010

Dear Women (Dress 195)

Dear Women,

Studies show we apologise too much. So i’m not going to do that. There is nothing that can be said more than I am deeply unhappy that i have not had the time, nor the inclination (considering the backlog of over 135 dresses) to upload. I am going to start making a dint in that massive backlog. Starting........ now.














(mesh draping and bronze buttons)
All my love,

Apologies (aaargh! You got me.)
And always, always Dresses,
Ip.

Thursday, August 5, 2010

Dear Sudden OpShop (Dress 172)

Dear Sudden OpShop,
You popped up in a cobbled side street for a couple of hours. You had ancient lace, a sheer spotted shirt, and a silk scarf. And you were cheap and lovely, even if you smelt a little odd.
Today’s dress has printed spots on the stomach region, and cuffs. There are buttons (but they are hidden.)
All my love,
IP
P.S. Apologies for what I think is my worst drawing yet. Going straight to pen is always an error.

Thursday, June 3, 2010

Dear Lucy, (Dress 112)


Dear Lucy,
The first time I met you you were wearing a man's shirt and a pair of tights.
Damn brave.
This one's for you:
(The 'tails' are the back of the dress. cotton.)
All my love,
IP

Dear Half-Way Mark (Dresses 102-111)


Dear Half-Way Mark,
You're killing me.
Honestly!




I) flat metal cutlery on a mesh strap. dress is white linen (like tablecloths at a nice restaurant)
also comes in chequered red and white and with a white napkin under the cutlery.



II) flat copper studs on a red dress, or black? opaque crepe.











III) wire reinforced hood in greyblue crepe on a grey crepe dress










IV) as inspired by PonyRider Bedspread







V) orange peeling. cottown with wire reinforcement and ribbon 'zest'









VI) linen and handmade matching buttons








VII) white opaque crepe with mesh windows








VIII) White cotton with fine ribbon over a reinforced hole .









IX) reinforced mesh shoulders and mesh panel








X) brown opaque crepe around the neck, covered in a crepe halter, cotton underlay under the major part of the dress printed with the message scroll.


All my love,
IP.

Sunday, May 23, 2010

Dear Sally (Dress 92)


Dear Sally,
Yesterday was awesome, we went out for your birthday to possibly the lamest burlesque bar ever (more las vegas showgirls than burlesque dancing- two of the three girls were painfully thin, and apart from the high kicks, there weren't any impressive dance moves.) but the clothes on the pseudoindie crowd there were an awesome source of designideas!
Happy birthday darling, you're damn gorgeous,
All my love,



Saturday, May 15, 2010

Dear 13/5/10 (Dresses 74-83)

Dear 13/5/2010,
You were too much for me. I didn't manage to do my dress, so I designed 10 today as penance,
We good now?
Stencils of birds with grey 'shadow' stencils underneath.










Structured heavy silk with appliqued ribbon 'clock'











Dyed black cotton with 'blocked' sections










Either lines on the dress, or the paths on which fringing follows











Black diamonds are satin, white is matte.










Elastic with corsetry style reinforcement. The 'garter' sections have a buckle, as does the neck buckle



My favourite of today's inventions- a la the Hermes shorts, 'I love' is spelt in belt loops, and on the back of the dress there are buttons that also serve as dotpoints. The dress comes with a letter stencil and fabric paint.







Top section in strong upholstry fabric, same colour as the base section, done in many layers of crepe. (the lines represent folds in the crepe)








Soft Polyester held on with elastic, heavier weight trousers, with crepe sides.







Cotton with buttons and an elastic waist-band-area










All my love

Monday, May 3, 2010

To Sir Duncan Campbell, Bart Esq. (C/O Henry Raeburn, Australian National Gallery.) (Dress 64)

To Sir Duncan Campbell, Bart Esq.

you cut a dashing figure in your military regalia, a style which I feel has been (in my personal opinion, alledgedly, with all due respect) tainted by the late M.Jackson. I say we bring back the fresh tomato red, mustard yellow and charcoal combination! Gold buttons FTW.
I'd like to take a moment to mention the gorgeous frame on this- I'd love to do some architectural work to create that kind of impression in upholstry fabric...

Dress Specs: Gold braid, red wool on yellow cotton, and black cotton.
All my love,