Dear Izzy (Dess 151)

Dearest Izzy,

You came to my house, and you were sad, so I fed you; which next to cuddles and talking in the dark is the only way I know how to cheer people up. So I made you poached pears. I think it may have worked (as well as it could have).

All my love,
IP

Dear Ilana (Dress 114)

Dearest Ilana,
You're lovely. I mean it- really truly lovely. You wrote me a sweet letter a fair while back that made my day when I needed it most- not just with the sweetness of the sentiment but the presentation too! Calligraphy monogram and your insanely pretty handwriting-all your style is like that- strong lines and intense contrasts. Yesterday after our class performance you were getting dressed for a party, and you were wearing this stunning satin backless creation that looked just amazing... so in honour of backlessness and the prettiness that is 1950s contrast:
(White satin, black calligraphyesque 'pool' lines, and  half-strawberry (with cream) brooch.)
All my love,
IP.

Dear Half-Way Mark (Dresses 102-111)

Dear Half-Way Mark,
You're killing me.
Honestly!




I) flat metal cutlery on a mesh strap. dress is white linen (like tablecloths at a nice restaurant)
also comes in chequered red and white and with a white napkin under the cutlery.



II) flat copper studs on a red dress, or black? opaque crepe.











III) wire reinforced hood in greyblue crepe on a grey crepe dress










IV) as inspired by PonyRider Bedspread







V) orange peeling. cottown with wire reinforcement and ribbon 'zest'









VI) linen and handmade matching buttons








VII) white opaque crepe with mesh windows








VIII) White cotton with fine ribbon over a reinforced hole .









IX) reinforced mesh shoulders and mesh panel








X) brown opaque crepe around the neck, covered in a crepe halter, cotton underlay under the major part of the dress printed with the message scroll.


All my love,
IP.