Dear Difficult Difficult Lemon Difficult (Dress 208-217)

Dear Difficult Difficult Lemon Difficult (Day 163)

Right now is



Which is why i stuffed up for the second time in a week.

Apololololologies.

Dress I: Layers of folded matte silk reinforced to give it the sharp edge.

Dress II: The synthetic mesh is placed on a metal mannequin and then sprayed (a-la McQueen

) but instead of it being paint, the artist (not machines) sprays a variety of chemicals (each with a different colour reaction), that when coming into contact with synthetic mesh it eats away at the fabric in a three dimensional ‘ burn’ (hence the metal mannequin)













Dress III: inspired by Sydney Nolan’s paintings of Ned Kelly.

Dress IV: Spring/Autumn

Dress V: neckline is cutout of same shape as the appliquéd butterflies.

Dress VI: inspired by the art of the Mix Tape. The loop that looks like a ‘B’ is the curled ribbon/tape at the back of the halter tie.

Dress VII: fallen clock in appliqué. Halter neck dress.

Dress VIII: stone in a pool dress. Layers of mesh, beginning at the neckline and restarting at the ‘rock’

Dress IX: Himalaya dress. Hand painted silk.

Dress X: Inspired by the Eiffel-esque spire of the Melbourne arts Centre.

All my love,

Ip.



Ip.

Dear Korean Girl on the Train (Dress 152)

Dear Korean Girl on the Train,

You were adorable and inquisitive, and you asked me all sorts of questions about my drawings, and then proved in about 4 seconds how insanely far I have to go when it comes to drawing- hell but you draw fast, and accurate, and pretty!

This dress reminded you of a traditional Korean dress- and I see what you mean, but with a twist.

(Blue matte satin, and silver matte satin in the middle, seperated by 'bands' of rubber tubing filled with something vaguely mercurial.)

All my love,
IP

Dearest Emergency Services (Dress 132)

Dear Emergency Services (c/o Di Munro)
You do awesome. Thankyou.
Di Munro took the first aid course I did last month. She was lovely, personable, informative and kind. We learnt things. We heard stories about what amazing work emergency services do. I could not respect those people more! Absolute saints, the lot of them.

This dress is a plain cotton base, two individual layers of mesh crepe with one painted circle on each. Attatched to the cotton base are two LEDs, which slowly fade in and out.

All my love,
IP

Dear Donnini's (Dress 132)

Dear Donnini's,

Your pasta is freaking amazing. You've been selling it on Lygon Street for who-knows how long... And every time I go in there I remember why I want a pasta machine. Gorgeous, delicious ravioli in every colour and flavour (my favourite: Beetroot and ricotta, purely for the aesthetic appeal of translucent creamy parcels with their vibrant fuschia filling.) I thought a ravioli dress would look ridiculous, but that's not all you sell! You've got regular hand-made pasta too, fresh and everything. There is nothing lovelier than bunches of pasta, half-looped- the neckpiece of this dress would be silver reproductions of that pasta (detatchable for use as a necklace), with three or four wisps around the waist. The dress would be cream crepe over a light blue cotton (inked version to come later.)
All my love,

nom nom nom
IP

Dear 365ers (Dress 131)

Dear 365ers everywhere,

You're freaking AMAZING! Some of the things I've seen are bloody intense. Particularly entrancing is the work by Brock Davis: One piece of creative work made every day for 365 consecutive days. Exactly the spirit in which I started my project- to be constantly creative. Brock's work is varied, funny, interesting, and often breathtakingly beautiful.

Particuarly his work for Jan 3rd. This image played on my mind for ages, until I couldn't help but make it today's dress.

I know it's not intensely original, and were I to make this dress it would have to be with his permission; but I just thought it was such a gorgeous image it would make a lovely dress (although, due to penfail not a great drawing on my behalf.)

Done in ribbon on cotton fabric.

All my love,

IP.

P.S. A shout-out to the lovely Lucy, an old friend who I don't see as often as I'd like, who (when I bumped in to her in the city) said she reads this, and totally made my day! Which, considering the day I had was a mean feat! Time spent with Jorge, and the delightful Tess in City Hatters, nomsome soup, heavenly pistachio cupcake, cheap and pretty silver shoes, not having my bike stolen when I locked it to itself but not the pole, an Outsapopable stripy jumper, Heston Blumenthal on Masterchef (don't judge me! He's amazing.) and now, a cup of earl grey while I write the blog are just some of the reasons today was simply brilliant. Knowing that people are out there enjoying it is a wonderful feeling, (GoogleApps tells me there are people reading this in Russia! and France! And one lovely lady in the US!) Thankyou- to Lucy specifically, and to others, those I know, and those i'm yet to hear from. Please, if there is anything you'd like to see, anyone you think I should take a look at for inspiration or anything you're not happy with, let me know. I really appreciate the time you take reading, and voting, and commenting- it helps me keep this going more than you could know!

Dear Darryl (Dress 122)

Dearest Darryl,

We used to go to your lifedrawing classes, my mum and I, every wednesday of my year 12. I don't remember his name, but there was a fellow there that did a lot of hypercolourful works in conte chalk and paint. I remember his teeshirts at the end of the three hour artwork extravaganza were covered in psychadelic smears of paint- the product of a brush absentmindedly cleaned in an almost feathery pattern from right hip to left shoulder. Why not make a dress a palette? I'd love to make this dress in plain white, and just let artists go wild in a range of them- have someone do action paintings, pollock-esque, or rennaisance oils, or dusty brilliantly coloured conte chalk.

This drawing is a little on the simple side in terms of colour, it's meant to be an example of what you could do with a white version of the dress.

The 'hole' on the right is meant to be a hole to the skin, but I think I drew it a little to large, if it were smaller i'd like it to show just a little of the under-breast.

All my love,

IP.

Dear Safta Haya, (Dress 118)

Dearest Safta (Grandmother in Hebrew),

It's strange, I only see you every ten years- and yet I feel I know you. We're remarkably similar, you and I- Our love of making things, of textures, and most particularly, of scent. A personal obsession of mine, the art of perfume and the chemistry of scent. Since reading The Emporor of Scent, by Chandler Burr i've been entranced by the collective power of the aesthetic and aromatic that is a flacon of perfume, and it's contents. You have a collection of old perfume bottles, mainly empty- for practicing your glass painting on.

When I was in Israel you gave me a half-full bottle of J'Adore, you said my grandfather (who passed away ten years ago) gave it to you. For all that you love it you said it is too subtle for you, too gentle- strange, for a woman of such delicacy, you look like Jackie Kennedy in the photos I have from my mother's childhood.

You handed me this beautiful little golden bottle, the gold colouring on the wire of the neck faded with age, and, wrapped in silk scarves i'd bought in Israel, it came all the way across the sea with me. And now, when I need to be reminded, soft clouds of pearly scent surround me.

Today's dress is corset-topped, wrapped in an even layer of bronze wire, the ends of which are bent over tiny silver beads, the back of the corset laced with silver ribbon. The skirts are navy silk, three layers, edged with the same silver ribbon used for lacing.

All my love,
IP.
P.S. Today is DAY 100! We've made it! Happiness and Delight! Rar.

Dear Half-Way Mark (Dresses 102-111)

Dear Half-Way Mark,
You're killing me.
Honestly!




I) flat metal cutlery on a mesh strap. dress is white linen (like tablecloths at a nice restaurant)
also comes in chequered red and white and with a white napkin under the cutlery.



II) flat copper studs on a red dress, or black? opaque crepe.











III) wire reinforced hood in greyblue crepe on a grey crepe dress










IV) as inspired by PonyRider Bedspread







V) orange peeling. cottown with wire reinforcement and ribbon 'zest'









VI) linen and handmade matching buttons








VII) white opaque crepe with mesh windows








VIII) White cotton with fine ribbon over a reinforced hole .









IX) reinforced mesh shoulders and mesh panel








X) brown opaque crepe around the neck, covered in a crepe halter, cotton underlay under the major part of the dress printed with the message scroll.


All my love,
IP.

Dearest Irit (Dress 97)

Dearest Irit,
You are adorably frightened of ferris wheels.
You are also my aunt. There may or may not be pictures of six-year-old-ip holding your hand and smiling as you scream your lungs out at Luna Park....
I ought to toddle off to bed, but just a quick update:
Onto book 4 of the 365series.

It looks like there will be 12, maybe 13? depends on how many 10dress penalties I have to do. So exciting to line them up like this! It really looks possible.
All my love,
IP

Dear Ikea (Dress 96)

Dearest Ikea,

I've never actually been to an Ikea store- as much as I lust after the catalogues, I'm never sure my bank balance could take it. I've bought a few things second hand to realise they were Ikea, among them the FÄRM vase...

I've always loved the lines on this, and i'd love to replicate them in a dress- generous pleats in heavy linen.
I'm thinking of re-doing the signature, it's too big and clunky, so look out for something new- same design, but smaller and sleeker
(Also: apologies for posting a day late: 3,000 word essay meant the dress was designed, but not inked or coloured.)

All my love

IP.

Dear Yoska (Dress 95)

Dear Yoska,
You saw my wallet on the train- sitting on the seat, long after I'd up and left.
You googled my surname, and called my parents. And less than 8 hours after i'd lost it- I had it back in my hands. Relief unparrallelled!
I sat outside your apartment imagining what you'd look like- we'd exchanged a fair few textmessages and I wondered who this kindly soul would look like. Turns out you look like a very young slightly frightened male version of my friend Zahra- and you're a student pilot, which makes the socially responsible good samaritan thing make a little more sense. Honestly I expected to have my identity stolen or something- not have it returned with embarrassment at my thanks.
So in honour of those badges trainee pilots wear (although I think any pilot wears this one)
And in thanks to all kind strangers,
(Printed cotton for the dress, structured metallic-blue-grey for the 'badge' with a space for a brooch in the centre.)
All my love,

Dear After (Dress 94)

Dearest After,

What a lovely shop- a pity I couldn't afford to stay much longer, I had to go home and do homework (blarg).

But I did come out with these:

I then proceeded to experiment:

Feathers from my found-rainbow-lorikeet-feathers-stash:

Making springs:

Peacock Feathers:

Parts salvaged from a phone:

Nail-Polished-Painted Springs:

And, magically (I have NO idea how this happened. I mean, I meant to make something swirly, but this is very Wizard-of-Oz tornadoesque.)

So, from the springs came a 'lightbulb' dress:

Sorry for the late post,

(I'm not going to post the signature, because this post is so picture heavy,)

IP.

Dear Wright Bros. (Dress 88)

Dear Wright Bros.

I had a lapel pin of an early model plane, I'm not sure where it went, but should I find it i'll post a picture.

There is nothing lovelier than a pure blue sky covered in plane scribblings,

All my love,

 

Dear Wine and Cheese (Dresses 67 and 68)

Dear Wine and Cheese
you are the only things i have ingested today. not feeling so good.

All my love,